Transcinematics. The origins of the term emerged with the inception of The Grey Man project: The project that eventually became The Gaps Between.
If you prefer bullet points there is a list below that you might find helpful, otherwise this is as good a place to star as any.
As I say, transcinematics is cinema that goes beyond, it was the first time I had felt the idea with a certain conviction. I was overwhelmed. It happens sometimes when I get an idea, or at least, when I perceive the range of an idea. Inevitably feeling marooned by the inadequacy of language; forced to communicate a coexistent manifold of potentialities in a linear sequence of utterances.
Oh well, beggars can’t be choosers I suppose.
O Transcinematics is about transformation.
O It is about you and it is about me and it is about us.
O It is about using film as a medium to reflect people, as individuals, or as a group, back to themselves and/or to others.
O It is about exploration and a collaboration.
O It is about challenging oneself; to do that which you would not normally do, to say that which you might not normally say, to make that which you might not normally make: To play beyond the edges of your own assumptions.
O It is about expressing yourself freely, but not without direction.
O It is about doing something unique, participating with people in a way that generally doesn’t happen in day to day life.
O It is magic.
O And it is about a search
or none of the above.
It is sort of what you choose to make it
And you are sort of what it chooses to make of you.
Of course none of this is binding, or even guaranteed. It does however illustrate that this mode of working does go beyond what most people do with video cameras, both in the scope of how our content is created, how it is filmed and framed, and how it is delivered; how it finds it’s way back to the world.
It is not quite like anything else. At least not yet.
Yours in anticipation,
all material © 2014